Heard Too Late 2023 :: Goat :: Medicine

Welcome to the third and pen-ultimate (for now) of our Heard Too Late 2023 series. Today, I humbly present to you a band I love with an album I somehow missed last year. Scandinavian Pscy-Rock-Folk-Space Voyagers Goat put out a solid album of space out music called Medicine. It is indeed medicine for what ails ya.

This one’s right up my alley for working and studying. I think you’ll dig it too.


Watch the video for “Join The Resistance”

Watch the video for “Tripping In The Graveyard”



Heard Too Late 2023 :: Dosh, Ismaily, Young

Yesterday we began a short series of posts highlighting 2023 albums I didn’t get a chance to spend enough time with prior to compiling my year-end list with Lee Gallagher and the Hallelujah’s “The Falcon Ate The Flower.”

Next up is the self-titled release from Dosh, Ismaily, Young. Featuring “drummer Marty Dosh (Dosh, Andrew Bird, Fog), bassist Shahzad Ismaily (Marc Ribot’s Ceramic Dog, Secret Chiefs 3, Arooj Aftub), and guitarist Tim Young (Wayne Horvitz’s Zony Mash, David Sylvian, Michael White).

With Shazad already appearing on the 2023 round up with Love In Exile by Arooj Aftab, Vijay Iyer, Shahzad Ismaily, this marks Ismaily’s second appearance on my favorite albums of 2023.

This is not so much a review as a profile, so I take no shame in quoting the Bandcamp page to help you get a picture of this wild ride: “On their debut self-titled release, these master musicians effortlessly deliver six solid tracks including an 11-minute krautrock mindblower, a meditation on the end of the world, and explorations into Stax-soul, space-rock, and free-jazz.”

If you’ve taken the time and effort to read this far, it’s probably because we share the same music vibes. I highly recommend this release, especially since physical copies are in short supply.


Watch the official video for the opening track, “Blast:”


  • Support Dosh, Ismaily, Young at Bandcamp

  • Purchase Dosh, Ismaily, Young’s music at Amazon


Heard Too Late 2023 :: Lee Gallagher And The Hallelujah :: The Falcon Ate The Flower

Welcome to Heard Too Late, a short series of posts where I highlight artists and albums I didn’t spend enough time with to put on my 2023 year-end list. However, with hindsight being what it is and all, it is safe to say that if I had heard these albums sooner, they would most definitely have made the cut.

First up is “The Falcon Ate The Flower” by Lee Gallagher And The Hallelujah. As you might ascertain from the name, Gallagher’s CA (by way of Ohio) cosmic country space rock taps in to the spiritual side of life without being preachy. Maybe we’ll call it existential rock? Anyways, having recorded with Victoria Williams and others after moving to CA, Gallagher has continued to expand his sound and scope. Reviewers and biographers are quick to point to Gram Parsons, Workingman’s Dead, Humble Pie, and, surprisingly enough Rod Stewart (that last one came up a few times!) and, of course; all of these apply, but only as touch-points.

Album opener “Planes” soars in perhaps the most psychedelic country jam the album reaches, but it sets a great opening bar. Though “The Falcon Ate The Flower” doesn’t quite reach those same heights throughout the rest of the album’s songs, we take a journey through ballads, and no review would be complete without mentioning the stellar performances by violin legend Scarlet Rivera (probably best known to this crowd by her appearances in the Rolling Thunder Revue. She here appears on the tracks “Something Better,” & “Can Anyone Hear Me?”, both of which are well worth your time.

Head out on a road trip. Blare this and then let’s talk.

Watch the official video for “Baby I’m There:”


Listen to “Something Better:”


Listen to Half Lit (The Future’s Ours):


  • Visit Lee Gallagher’s official site

  • Support Lee Gallagher at Bandcamp

  • Purchase Lee Gallagher’s music at Amazon


2023 :: Favorite Music

Welcome to the 2023 Holiday at the Sea year-end music list. There was a lot of great music in 2023, but I’ve narrowed it down to my favorite top 50, presented here in alphabetical order. I hope you see some of your favorites and find something new. I’d love to hear your thoughts. What has been your favorite music of 2023?

the 2023 Holiday at the Sea year-end music list:


  • Afro Futuristic Dreams by Idris Ackamoor & The Pyramids // BC // FB // Amzn //

  • A Trip To Bolgatanga by African Head Charge // BC // FB // Insta //Amzn //

  • Tony Allen JID018 by Tony Allen, Adrian Younge, & Ali Shaheed Muhammad (Jazz Is Dead) // site // BC // FB // Amzn //

  • New Blue Sun by André 3000 // site // Amzn //

  • My Back Was A Bridge For You To Cross by Anohni & The Johnsons // site // BC // Insta // Amzn //


  • Love In Exile by Arooj Aftab, Vijay Iyer, Shahzad Ismaily // site // Amzn //

  • Black Duck by Black Duck // BC // Amzn //

  • Sun Arcs by Blue Lake // BC // Amzn //

  • Sahel by Bombino // site // BC // FB // Amzn //

  • Keeping Secrets Will Destroy You by Bonnie “Prince” Billy // BC // Amzn //


  • Dimanche à Bamako by Bounaly // BC // Amzn //

  • the Record by boygenius // site // BC // FB // Amzn //

  • Fly or Die Fly or Die Fly or Die ((world war)) by jaimie branch // site // BC // Amzn //

  • Nocturnal Country by Sammy Brue // site // BC // FB // Amzn //

  • Villagers by Califone // site // BC // FB // Amzn //


  • Chitinous Mandible by Chitinous Mandible // site // BC // Insta // Amzn //

  • Hostile Environment by Creation Rebel // BC // Amzn //

  • Shadow Kingdom by Bob Dylan // site // FB // Amzn //

  • & the Charm by Avalon Emerson // site // BC // Insta // Amzn //

  • Some Kinda Love Performing The Music Of the Velvet Underground by the Feelies // site // BC // Amzn //


  • A River Running To Your Heart by Fruit Bats // site // BC // FB // Amzn //

  • Let the Moon Be a Planet by Steve Gunn & David Moore // BC // Amzn //

  • Philanthropy by Hauschka // site // BC // FB // Amzn //

  • Days In The Desert by High Pulp // site // BC // FB // Amzn //

  • Oh Me Oh My by Lonnie Holley // site // BC // FB // Amzn //


  • James and the Giants by James and the Giants // BC // Amzn //

  • Did You Know That There's A Tunnel Under Ocean Blvd by Lana Del Rey // site // FB // Amzn //

  • New Future City Radio by Damon Locks & Rob Mazurek // BC // Amzn //

  • No Fixed Point In Space by Modern Nature // site // BC // FB // Amzn //

  • the Age of Pleasure by Janelle Monae // site // BC // FB // Amzn //


  • Since Time Is Gravity by Natural Information Society // site // BC // Amzn //

  • Travel by the Necks // site // BC // FB // Amzn //

  • Jump On It by Bill Orcutt // site // BC // FB // Amzn //

  • Switched-On by Pachyman // site // BC // FB // Amzn //

  • After the Magic by 파란노을 (Parannoul) // BC // Insta // Amzn //


  • The Times by Phoenix Afrobeat Orchestra // site // BC // FB // Amzn //

  • Drag On Girard by Purling Hiss // BC // FB // Amzn //

  • the Window by Ratboys // site // BC // FB // Amzn //

  • Garden Party by Rose City Band // site // BC // Insta // Amzn //

  • Live at Third Man Records by Rich Ruth // BC // Insta // Amzn //


  • Robed In Rareness by Shabazz Palaces // BC // FB // Amzn //

  • Everything Is Alive by Slowdive // site // BC // FB // Amzn //

  • Javelin by Sufjan Stevens // site // BC // FB // Amzn //

  • Music Is Victory Over Time by Sunwatchers // BC // FB // Amzn //

  • Secret Stratosphere by William Tyler And The Impossible Truth // BC // FB // Amzn //



Chitinous Mandible

When asked to describe his music in 3 words by Secret Eclectic, Tom Herman Jr. (aka Chitinous Mandible) responded with:

Enveloping surrealistic familiarity

That seems to be as good a description as any.

Prior to the Chitinous Mandible moniker, New Jersey’s Herman recorded as Old Smile, who Aquarium Drunkard described as “a wave of lo-fi, bedroom psych,” and of whom The Quietus said: “After countless recent waves of revivalist bands embracing jangly psych and sixties music - Temples, Tame Impala, Ty Segall, etc. - Old Smile is the best I've come across.” That’s high praise indeed! And as The Quietus points out: “And this dude managed to do it all himself at home!” Herman continues to ride tht independent spirit, saying of this new, self-titled project as Chitinous Mandible: “I wrote/performed/recorded/mixed everything on it aside from a couple tracks where my dad plays drums.”

Rolling in like a lo-fi swamp fog and wrapping you up in its shimmery swirls, this is music to get lost in or focus down on the details. Because there are layers if you’re willing to dig. And dig, I do. cosmic psychedelic blues for the laid-back set. Hints of Krautrock throb over Devo keyboards. More quirky non sequiturs for great music here.

I asked Hermon how his songwriting has progressed over the last few albums. He said:

“In Arches the sound was kind of slow and melancholy. The sound of Old Smile was more all over the place, there were a lot of detours. Chitinous Mandible is a bit all over the place too but it’s more concise.”

Chitinous Mandible is a bit all over the place, but more concise. That’s as good a description as any. Swampy music for sweaty afternoons. The best thing you can do is go listen for yourself. I highly recommend.

For those interested, Bandcamp reveals that "Pops plays drums on the songs "Time Design" and "Summertime Drive."


Watch “Summertime Drive:”


Watch “Connection In A Parking Lot”


  • RIYL: Rose City Band, Los Halos


  • Support Chitinous Mandible at Bandcamp

  • Follow Chitinous Mandible at Youtube

  • Follow Chitinous Mandible at Soundcloud

  • Follow Chitinous Mandible at Instagram

Oki Dub Ainu Band Live For KeenStream

From the Youtube page:

“Festival TV on KEENSTREAM, a YouTube program that started in April 2020, hoping that the day will come when we can enjoy the music and outdoor activities that we love. We welcome over 100 artists in total and liven up the program with MC George Williams.”



  • Visit the official Oki Ainu Dub Band website

  • Follow Oki Dub Ainu Band at Facebook

  • Purchase Oki Dub Ainu Band’s music at Amazon

  • Hear "マナウレラ - Matnaw Rera" by Oki Dub Ainu Band on Episode 06 of the Global Elite Music Radio Podcast Supershow

  • See other Holiday at the Sea Oki Ainu Dub Band posts


Staraya Derevnya :: Boulder Blues

Staraya Derevnya is a psychedelic/kraut-folk collective based in London and Tel Aviv. Active since 1994, the group’s newest album Boulder Blues will be out August 5th on Ramble Records. Recorded between 2020 - 2022 in Israel and the UK, the album percolates and bubbles with creativity. A collective of varying size and members, this iteration consists of 11 people, and album credits include “cries and whispers,” silent cello (which apparently is a very real thing, though somehow it would still make sense even if it wasn’t), “objects,” and a marching band kazoo.

How does one make sense of such music? Maybe that’s not the point, but if we need landmarks to help find our way; then maybe the meditative groovy bass foundations of Oren Ambarchi / Johan Berthling / Andreas Werliin and Natural Information Society or some of the murkier moments from Animal Collective or Paavoharju come to mind, but only as touchpoints. They are the friendly neighbors you meet on the path to Staraya Derev. Like the cover artwork, one is left with more questions than answers, and sometimes that’s the point.

My son calls it “spooky alien music but in a good way.” Krautrock grooves underpin an ever evolving sound collage. Instruments, voices, and noises sometimes float by barely notices and sometimes shock you back into the groove. Concrete Islands uses the phrase “murmurations from unknown tongues” to describe the bands music, and that seems about as apt as any description we’re likely to conjure.

The title track emerges from primordial squigglings over an ever-reliably-chugging bassline and builds upon a repeated phrase dervishly swirling and repeating and building and repeating and building and swirling. The piece doesn’t so much resolve as exhaust itself in experimental ecstasy. ‘Tangled Hands’s fleeting fog swirls through the atmosphere punctuated by skronks and ambient waves.

The album’s centerpiece, the nearly 21-minute ‘Bubbling Pelt’ was recorded live at TUSK Festival 2020. The piece bubbles and swirls over minimal but hypnotic bass rumblings. Percussion skitters back and forth until becoming one with the ether. As the bass returns, wind instruments and electronic squiggles reveal themselves from the fog, forming a nice relaxed groove which gives home to all sorts of vocalizations.

Though heavy on krautrock repetition, this is not background music. Though it requires your attention, it grooves in unexpected ways.

Boulder Blues is out August 05th on Ramble Records and is highly recommended.


Watch ‘Bubbling Pelt’ performed live at TUSK Festival 2020 here:



Detective Blind Debut Single 'Tell Me' Out Now

Indie rock sister act Detective Blind's debut single 'Tell Me' is out now. Eldest sister Montgomery is billed as a “15-year old Broadway Vet,” but otherwise, there’s not much online about this young band (yet) except that they’re sisters, they used to be a cover band and now they rock.

Can’t wait to hear more from these sisters.


  • Visit Detective Blind’s website

  • Follow Detective Blind at Twitter

  • Follow Detective Blind on Instagram