2016: The Year In Review

Year-end is a time for reflection. What went well, what didn’t? What would you change or keep the same? What lessons can be learned?

2016 continued to feel like a holding pattern. After resigning from vocational ministry in January 2015, I have struggled to find solid footing. I have found part-time employment but have struggled to find “what’s next” for me and my family and we have struggled to find a faith community.

But through it all, I have felt challenged to know myself more fully. I have been thinking a lot about the fantastic Tom Waits quote: “Be devoted to the unification of the diverse aspects of yourself.” I have been fascinated by both Mennonite and Anglican thought. I have moved away from Republianity and deeper into a desire to understand how Christianity fuels social justice.

Through it all, I am deeply thankful for family and proven friends. When you resign from ministry, you realize that many people who you thought were your friends were . . . well, I don’t know, except to say that it’s easy to feel lonely. I am thankful for friends who prove themselves to be just that, regardless of my position.

The past couple of years have felt like a pruning and I’m excited to see what flowers from it.

In the meantime, let’s look back a bit.

  • Browse my favorite books and authors of 2016.
  • Browse my favorite albums of 2016.
  • Stream a two-volume mix of some of my favorite 2016 songs.

2016: The Year in Music

I love year-end lists. I love to see what other people loved.

2016 was a fairly quiet year for me when it came to music. There was a lot of great music but there didn’t seem to be a single album that really “defined” the year for me. Nothing found its way to repeat-for-weeks level. The closest two albums for me in that regard were A Tribe Called Quest’s We got it from Here… Thank You 4 Your service and Heart Like A Levee by Hiss Golden Messenger.

Still, it was a year filled with great albums. Here are 30 of my favorites from this year. I have included comments that are probably not really helpful for you in you determining whether or not you would like each album for yourself. Instead, you’ll have to go and do some listening for yourself. I hope you enjoy, maybe find something new, and I look forward to your feedback.

 

 

 

 

We got it from Here… Thank You 4 Your service by A Tribe Called Quest – The album no one expected but struck us all with its timeliness. The Tribe’s first album since 1996 avoided sounding dated while navigating the loss of Phife Dawg. The album is not just a return to form but found everyone at the top of their games. (buy)

Fantômas by Amiina – After serving as Sigur Rós‘ string section, Amiina set out on their own. Fantômas, their fourth release continues their pattern of complex meditative music. (buy)

Wildflower by the Avalanches – Their first new album in 16 years, sample kings the Avalanches create a richly woven tapestry that gives nods to its sources without ever feeling simply pieced together. (buy)

 

 

 

 

Blackstar by David Bowie – David Bowie’s final album cements his status as a sonic explorer to the end. Partnering with exploratory jazz and lyrics that seem to hint that he might have known that his end was near. (buy)

case/lang/viers by Case, Lang, Viers – The partnership between Neko Case, K.D. Lang, and Laura Veirs creates an atmospheric album which not only brings three great voices together but builds on each one to create something more. (buy)

Coloring Book by Chance the Rapper – Joyful rap is often difficult to come by. Much less rap with Christian overtones. Plus the weird noises he makes can be quite fun. (buy)

 

 

 

 

You Want It Darker by Leonard Cohen – Another great artist lost this year who seemed to know what was coming. Though he didn’t need to do so, Cohen reminded us why he was one of our great songwriters and lyricists. (buy)

Give A Glimpse Of What Yer Not by Dinosaur Jr. – Reunited in 2007, teh band remains on a solid streak that gives you everything you want from the band, including a solid performance from Lou Barlow and J Mascis‘ guitar wizardry. (buy)

Ere Gobez by Debo Band – The 11-piece Ethiopian band incorporates funk, afr0beat, jazz, rock and nearly everything in between but never sounds cluttered and always sounds unified. (buy)

 

 

 

 

The Rarity of Experience by Chris Forsyth and the Solar Motel Band – 70’s instrumental guitar psychedelia for the modern age. You know; if you like that sort of thing. Which I do. A lot. A WHOLE LOT. (buy)

Future Standards by Howe Gelb – Tucson’s Gelb has continually reinvented his persona and has long toyed around with classic jazz. If one were to follow him on Facebook, one would see plenty of classic jazz videos posted. Gelb has ditched the Giant Sand full-band approach and has shifted his focus towards jazz. Only time will tell if these are, indeed future standards. (buy)

Requiem by Goat – Staunchly anonymous world-psychedelic outfit Goat turns in a strong album of staunchly anonymous world psychedelia. (buy)

 

 

 

 

Eyes On The Lines by Steve Gunn – Over the course of his last couple of albums, this masterful guitar player has also proven himself to be a masterful songwriter. Lots of great guitar playing that never seems flashy and lots of songs that capture the wanderlust many of us feel but will never indulge. (buy)

Late Bloomer by Matt Haeck – PopMatters says: “Late Bloomer and it couldn’t be a more appropriate moniker, given that it took Haeck 30 years of life to really begin discovering his own voice.” Having known Matt for several years and watching his musical growth for that whole time, I am pleased to say, he has indeed found his voice. It may be late, but let’s hope he’s not done blooming yet. (buy)

Heart Like A Levee by Hiss Golden Messenger – One of my favorite bands in recent years put out one of my favorite albums of recent years. MC Taylor continues to grow as a writer and bandleader. Exploring issues of faith, family, travel and finding one’s self in the world. Definitely a standout album for me this year. Plus I finally got to see the band live. (buy)

 

 

 

 

House in the Tall Grass by Kikagaku Moyo – Some long-haired Japanese guys put their spin on psychedelic folky rock that still rocks and I dig it. (buy)

Mangy Love by Cass McCombs – On his eighth album, McCombs continues to mature as a songwriter. Though this album wrestles with themes of confusion, it does so with soul. And there’s something to be said for that. (buy)

How To Dance by Mount Moriah – Chapel Hill’s Mount Moriah continues to force many of us to ask: “what exactly is ‘alt. country'”? They have definitely found their voice as a country band, but not one you’re likely to hear on any country station. (buy)

 

 

 

 

Entranced Earth by the Myrrors – Tucson represented yet again! This time with a blistering bout of noisy psychedelic trance music for the sunbaked set. (buy)

Night Fiction by Cian Nugent – It can be a mixed bag when instrumental musicians (in this case, world-class guitarist Cian Nugent) decide to try their hand at being a singer-songwriter. Thankfully, this time around it works. Nugent adds depth to his already textured music. (buy)

Malibu by Anderson .Paak – Groovy, soulful, R&B, hip-hop, funk. (buy)

 

 

 

 

PAO! by Phoenix Afrobeat Orchestra – I am a Phoenix native who loves afrobeat. How is it that I just discovered this band in 2016. Maybe because this is their first actual album and, having eight kids, we don’t make it out to as many shows as we’d like. Whatever the reason, I’m glad I found it. (buy)

A Sailor’s Guide to Earth by Sturgill SimpsonFollowing up a break-through album can be a challenge for any artist. Simpson tackles it by adding a horn section and Memphis soul to his psychedelic country sound. (buy)

Letting Go and Holding On by Shawn Skinner and the Men of Reason – Yes, I’m biased because these are some great friends. But dang it all if this isn’t a great album of sunbaked Americana. (buy)

 

 

 

 

A Seat At the Table by Solange – Exploring notions of black womanhood, this album could not have been more timely. Soulful, deep and moving. (buy)

Get ‘Em Next Time by Star & Micey – Sometimes you just need some fun rock and roll. Memphis’ Star & Micey are there with your fix. A solidly fun album 0f soulful indie pop-country. (buy)

Blue Mountain by Bob Weir – An album of reflecting on Weir’s early days in Wyoming, this album knows where it’s going and is in no hurry to get there. Self-assured and reflective, it is not only about looking back but continuing forward. (buy)

 

 

 

 

Schmilco by Wilco – Recorded in the same sessions as last year’s Star WarsSchmilco is a more understated affair. Largely acoustic and mellow, this album reveals more with each listen. (buy)

The Ghosts of Highway 20 by Lucinda Williams – Interstate 20 cuts a 1500-mile swath from South Carolina to Texas. This swatch of highway provides the backdrop for Williams to deal with love and loss. (buy)

City Sun Eater in the River of Light by Woods – Moving away from their blissed out alt. country, Woods incorporates bits of Ethiopian jazz to surprising effect (and affect). (buy)

  • Stream a two-volume mix of some of my favorite songs of 2016.

 

2016: The Year in Songs

This year’s year-end mix turned out to be much less thematic than last year’s mix. My wife thinks it’s “pretty dark” but I’m not sure about that (what do you think?). As I was putting this year’s mix together, I kept thinking of the fantastic Tom Waits quote: “Be devoted to the unification of the diverse aspects of yourself.”

I love all kinds of music. But mixes often focus on a particular genre or style. I tried to push that a little bit this year and placed afrobeat next to country, next to hip hop and ended up with a two-volume mix. I hope you don’t mind. The only song that didn’t make it on here was ‘Push’ by Phoenix Afrobeat Orchestra, because they are not on Spotify, so just imagine it’s here

Here you go.

Volume One:



Volume Two:



2016: The Year in Books

I made a concerted effort to read more books this year with no constraints on what I read. Simply read what I want. I didn’t make it to a book a week, but I did make it through 45 books, which I think is pretty good.

Though I had no intention to do so, I read mostly fiction this year and it turned out to be great for my soul. Fiction has a way of capturing the human condition and imagination in a way that many non-fiction books don’t.

Here are some of my favorite things I read in 2016 (in no particular order):

The Dark Tower Series by Stephen King – I started this series something like 20 years ago but (for no reason I can remember except that my reading habits became captured by theology for several years) never finished it. But there was something about Roland that would reappear in my imagination from time to time so I decided to finally work through the series and I’m glad I did.

Combining elements of epic quest tales with a spaghetti-western vibe, this is not what you might typically expect from Stephen King. (buy)

The March trilogy by John Lewis, Andrew Aydin, and Nate Powell – Dispatches from the front lines of the American Civil Rights movement. Don’t let anyone tell you that comics can’t be important. This should be required reading for anyone trying to understand race relations in the U.S. Your heart will break and you will be inspired. (buy)

Kurt Vonnegut – I read more Kurt Vonnegut than any other author else this year. By my account, I read 12 of his books. I know that his openly humanist atheism might cause some of my Christian friends some concern but Vonnegut’s books dwell deeply on the human condition. He often wrestles with the idea of what it means to be human in the midst of inhumanity. His keen insight, sense of humor and absurdist situations allow us to reflect not only on war but how we can achieve peace. Vonnegut has quickly become one of my favorite authors and I look forward to reading the rest of his material. (buy)

What were your favorite reads of 2016?

My Favorite Albums of 2015

2015I love year-end music lists. I love to see what other people loved to see what I missed and what I agreed upon with other music lovers. Year-end lists serve as a snapshot of what music was most meaningful to me for that year.

I am under no illusion that my tastes are anything more to anyone else than simply my tastes. As such, I try to refrain from ranking albums as “the best” of the year because you may not like what I like and I like that. In fact,  I am not ranking this year’s albums at all. To be completely honest, I didn’t really have “one favorite” album this year or even a couple that just had to be ranked. Instead, I am simply listing my 42 favorite albums of 2015 in alphabetical order. In case you’re wondering, I mainly ended up with 42 albums because that’s right about where I had trouble cutting any more albums out and it is divisible by 3.

I have included comments that are probably not really helpful for you in you determining whether or not you would like each album for yourself. Instead, you’ll have to go and do some listening for yourself. I hope you enjoy and I look forward to your feedback.

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Sound & Color  by Alabama Shakes – The band obviously wanted nothing to do with the sophomore slump or claims that they were a novelty act. In fact, the band stretched its sound without losing any of the appeal that brought them all the attention in the first place. (buy)

River by Daniel Bachman – It can be tough bearing the mantle of “American Primitive”. Comparisons to John Fahey will dog you your entire career whether they fit or not. Building on an acknowledged tradition while finding your own voice can be difficult but it is exactly what Bachman has done here, proving that life can still be found in the primitive. (buy)

Coming Home by Leon Bridges – Respecting the past without being stuck in it is not only difficult for solo guitarists but soul singers as well. Leon Bridges has found the right balance of embracing what people love about classic soul/R&B records without sounding like a cover band. In fact, it is never in question that the music laid down here is as heartfelt as the originals it draws from. (buy)

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Pale White Dove by Doug Burr – After a disappointing reception to Burr’s last album, O Ye Devastor, Burr took his time putting out his next album. He worked for five years to not only push his sound but please himself with a new set of songs. Pale White Dove often pushes Burr’s music into somewhat heavier and darker territory but never loses sight of the hope of redemption. (buy)

Untethered Moon by Built To Spill – Sometimes you don’t have to teach an old dog new tricks because its old tricks work just fine. Former Treeperson Doug Martsch and company turn in their eighth full-length album (their first in six years) of indie power pop punk if that’s what you want to call it. (buy)

Edge of the Sun by Calexico – The Tucson band continues to tinker with their evolving sound. Though the band incorporates lots of musical elements, they are all sunbaked until they feel right at home in the desert. (buy).

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Every Open Eye by Chvrches – Hook heavy electronic reminiscent of early New Order. These are a few of my favorite things. I didn’t expect to like this album as much as I do and who doesn’t love a pleasant surprise, right? (buy)

Nashville Obsolete by Dave Rawlings Machine – At only 7 songs, Rawlings leaves you feeling the road weary wisdom of a rough journey without feeling defeating. Channeling Dylan and Young, Rawlings creates a warm tone with welcome harmonies. (buy)

Fading Frontier by Deerhunter – Bradford Cox drew an “influence map” to help people understand a bit of where this album came from. Among other influences, the map includes R.E.M., Tom Petty, INXS, Faulkner (apparently Cox’s dog, not the author), “Japanese ceramics broken and repaired with gold”, tea and oils, what else could you ask for? Oh yeah, an album of songs “where if you hear them in a restaurant or car or house party, no one will ever ask you to turn them off.” (buy)

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Butterfly Effect by DJ Krush – The Japanese turntablist returns with another solid set of above average instrumental hip hop. (buy)

Theory of Mind by Electric Moon // Love Monster by Zone Six – I know, I know. It’s sort of cheating to include two entirely different albums as one selection on a year-end list but since these two bands share members and interest in zoned out, extended space rock jams, why not get two for the price of one. (buy and buy)

Heartbreak Pass by Giant Sand – Sunbaked Americana from one of its inventors. I don’t live in Tucson but I love the desert and Giant Sand will always be part of its soundtrack for me. Ramshackle, meandering and feeling like it might tip over at any moment, Howe Gelb not only holds it all together but leaves you wanting more. (buy)

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Chambers by Chilly Gonzales – Though  often known for his outlandish stage persona, Chilly Gonzales turns in another beautiful album of piano music. Still channeling Satie, Gonzales, as you might expect, adds strings to this outing for a straightforward but moving effect. (buy)

Servant of Love by Patty Griffin – Patty Griffin albums demand your attention but they repay it in spades, revealing subtle hooks and deft lyricism. As the title suggests, Griffin’s latest is filled with ruminations on love and what it means. (buy)

Dream All Over by Gun Outfit – Rambling rock with southwestern influences, hints of noise and lots of nods to Sonic Youth. (buy)

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Seasonal Hire by Steve Gunn and Black Twig Pickers – Combining his spacey Americana with Appalachian bluegrass and healthy doses of drone, Gunn and company have created a world all their own. (buy)

 

Little Neon Limelight by Houndmouth – Like a bigger version of everyone’s favorite local bar singalong band, Houndmouth has big choruses with straightforward rock riffs to remind us all that rock can be fun. (buy)

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Something More Than Free by Jason Isbell – Isbell’s fifth album after leaving the Drive By Truckers mines familiar territory. That is to say, Isbell still excels at storytelling music that finds the moments to be treasured even if they have to be found in the midst of struggle. (buy)

In Colour by Jamie xx – While Jamie xx’s other project can sometimes seem dour, Jamie seems compelled to let in the “colour” here. Still playing with sly synth grooves, he lets in light and bounce you might not have otherwise known he had. (buy)

Drug For The Modern Age by Kopecky – Apparently no longer a family band, Kopecky, like Houndmouth mines the valley of big choruses and straightforward melodies to great effect. Falling somewhere between Arcade Fire and Fleetwood Mac, the band continues to discover themselves while stretching their sound. (buy)

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All A Man Should Do by Lucero – Still toying with Memphis influenced horns, the latest outing from Lucero finds the band in a more subdued, keyboard driven mood. But, as Allmusic points out: “Saying All a Man Should Do is a more mature effort from Lucero sells short the street smarts and emotional wisdom of their previous work, but this album does find the fine band reaching for something different, and they hit their target with skill, assurance, and clarity.” (buy)

Lands & Peoples by Bill Mallonee and the Big Sky Ramblers – There are not many artists I wish would put out fewer albums. Bill Mallonee is one of them. He seems to average two to three (if not more) releases a year and I know it simply overwhelms a lot of people who end up missing the gems because they can’t keep up and don’t know where to dive in. Lands & People is indeed a gem, proving why Mallonee was named one of Paste magazines best living songwriters. (buy)

Shadow of the Sun by Moon Duo – Repeat-O-Rock? Space jams (not the movie)? Trance, drone rock? No longer a duo, Moon Duo does what they do best, rocking you into repetition bliss. (buy)

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Arena Negra by the Myrrors – The third Tucson band on my list! If Bardo Pond were sunbaked in the Tucson desert, the resulting psychedelic, sprawling rock would probably fall somewhere near Arena Negra. (buy)

Vertigo by the Necks – The Necks have developed a solid strategy without trapping themselves. Their albums are usually one hour-long track featuring slowly unfolding minimalist jazz. Their concerts are completely improvised and they carry this ethos in to the studio with them. This time around, they offer 1 44 minute track adding electric guitar to their proven formula a piano, bass, drums. (buy)

Sun Coming Down by Ought – Nearly every review of this album that I’ve read references some sort of yester-punk. OK. That’s fine. Frenetic, charged and yet accessible. (buy)

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Simple Songs by Jim O’Rourke – Few people have had the Midas Touch streaks that O’Rourke has. Somehow, he has been involved in some of the best music made by Smog, Sam Prekop, John Fahey, Wilco, Stereolab, Sonic Youth (of which he was a member), Beth Orton, Superchunk, and many others. If that’s not enough to interest you in his solo albums, perhaps brilliant production and musicianship paying homage to Van Dyke Parks among others and witty lyrics like: “Nice to see you once again,” and it seems like he’s addressing it to listeners who haven’t heard from him in a while, but then he follows that with “Been a long time my friends/ Since you crossed my mind at all” will pique your interest? If not, I’m not sure why we’re friends. (buy)

Natalie Prass by Natalie Prass – This record is of great interest, not only because Prass is a terrific writer and evocative vocalist but because Spacebomb records is, one release at a time, proving that they are more than a novelty act. They are creating a musical world that feels homey in the best way, not content to merely stand on tradition but bring it by the hand, not only into the present but into the future. If Van Morrison were in Memphis, he might very well be hanging out with the Spacebomb crew. (buy)

For Use And Delight by Promised Land Sound – Mix some Big Pink and some Workingmans Dead, and then combine with “harmony-laden jangle pop.” Shake. Sip. Repeat. (buy)

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Fables by David Ramirez – Ramirez continues to consistently be one of the best singer-songwriters on the scene today. Fables is another step forward, building on Ramirez’s strengths but also pushing forward. (buy)

Shadow Shows by Seryn – There was a four year wait between This Is Where We Are and Shadow Shows. Those years brought lots of changes to the group. Marriages, line-up changes, a complete band relocation. But the wait was worth it as the band moves in a more electric, even spacey direction, while retaining everything that made them one of your favorite acts to begin with. (buy)

Late Night Endless by Sherwood & Pinch – Spacey dub smashup from two of the genres top producers. (buy)

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Early Risers by Soldiers of Fortune – A band that is committed to not rehearsing shouldn’t be this good. But then again, when you’ve got Matt Sweeney and Jesper Eklow (Endless Boogie) involved, you might just end up with something special. Under The Radar says: “the songs are solid, brawny, and looking to fight.” Yup. (buy)

Traveller by Chris Stapleton – By far the most “mainstream” release I included this year. By far the closest to “popular country” that I’ve gotten in, well, ever. It’s that solid. (buy)

Parallelogram by Various Artists – Again, it might be considered cheating to included multiple releases as one listing. But this year, Three Lobed Records got a bunch of their favorite artists to release split LPs. The idea was to showcase the beautiful similarities and perplexing differences between some of the label’s favorite artists. So, when you’ve got Hiss Golden Messenger, Yo La Tengo, Bardo Pond and others, you don’t. Nay, you can’t just choose one. (buy)

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Sisters and Brothers by the Vespers – Bluerock? Rockgrass? Big choruses pave the way for a more muscular outing from this duo of sibling duos. (buy)

b’lieve i’m going down by Kurt Vile – Vile described this album as “darker” than previous albums. It’s got, he said, a “night vibe.” Vile adds instruments this time out, banjo, piano, reverb. But it’s a shuffling, slow-to-reveal-itself Kurt Vile album that simply gets better as it becomes part of life rather than something to be dissected. Just enjoy it, dangit. (buy)

Primrose Green by Ryley Walker – The spirit of Van Morrison is strong with this one, it is. (buy)

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The Epic by Kamasi Washington – At nearly three hours, this album truly is “epic.” Washington, a Kendrick Lamar conspirator, reminds us just how vital jazz can be. If I had allowed myself 43 entries instead of 42, I would have included Children of Light, the Perez/Patitucci/Blade album. See how I just worked in another album? Anyways, Washington seems uniquely positioned to remind us that jazz continues to be important. (buy)

Fresh Blood by Matthew E. White – The second Spacebomb release here, White’s Fresh Blood testifies that something special seems to be in the soulful, stylish but not over-bearing Spacebomb waters. (buy)

Star Wars by Wilco – Maybe not Wilco’s best album ever. But, the surprise, free release finds the band seeming to play music because they love to, not to meet certain expectations. The release reminds us why Wilco continues to be one of the most important American bands currently playing. (buy)

 

The Great American Mixtape Exchange: 2015 Favorites (Roundup Edition)

2993_tape1 copyEvery once in a while I like to see who’s up for exchanging a little music. I mean, after all, who doesn’t like hearing new music? And music mixes can often tell a lot about the person who made them.

I also love year-end music lists. It’s the most wonderful time of year. I like seeing not only what music different authors loved but I love seeing which albums receive more attention than others. So this year, I’ve asked you, my fine friends, to share mixes of your favorite music of 2015. Five of my friends took me up on the offer. Here’s the delio on each mix (including my own) for this year. Enjoy.

  • See Paz Galusha-Luna’s 2015 mix.
  • See Danny Lopez’ 2015 mix.
  • See Chris Martin’s mix.
  • See my mix.
  • See Mark Whiten’s mix.
  • See Jonathan Wolfinger’s 2015 mix.

The Great American Mixtape Exchange: 2015 Favorites (My Edition)

2015Along with the incidental noises of the everyday, music is the soundtrack to life. It can help us make sense of our journey and frame the chapters of our story. It possesses a special power to bring back times, places, people and emotions, rivaled only maybe by the power of smell.

Music can enhance or change our emotions. Curated collections of music (mixes) can be a deeper diary than the one on your desk. Music can be a friend, a solace, a comfort, a challenge and everything in between.

Every year I try to make a collection of some of the songs that have meant the most to me during that year. I keep a playlist on my computer to which I add songs as they strike me throughout the year, then I edit them to a playlist that will fit on a blank CD at year’s-end.

This year, as I sat down to listen to the songs what I had set aside, I was struck by the narrative that presented itself.

This year has been challenging in a lot of ways. I resigned from ministry in January after serving as a pastor for ten years. I found myself unemployed half-way through the year after I came to the (financially) painful realization that I am not a salesman and that I don’t necessarily think ministry is best pursued through quotas. I have applied to over 105 jobs and I am still unemployed. I had to turn down one job that, after travel, fuel, etc., my family and I literally couldn’t afford to take. We put our house up for sale and had over 70 showings. Finally, we had an offer on our house squashed by our HOA. Dang the man. So we took our house off of the market. We very seriously considered selling everything we own and cramming our family of 10 in an RV to travel the country until we realized that not only could we not afford that, but our extended family greatly disapproved. I still wish that had worked out.

I have come to terms with the idea that (aside from abortion and marriage) I am considered socially liberal by many of my Christian friends while also being confronted with the fact that I am quite theologically conservative compared to my socially liberal friends. I have wrestled with issues of vocation and identity and calling. I have had to ask whether or not I would ever again “aspire” to serve as an elder in a local church.

We have faced uncertainty and doubt. We have tiptoed through anxiety and swam in depression. And yet we have tried to hold on to hope through it all, confused as we are, confused as we might continue to be. We know that we are not alone in our travels through this world, even if we feel like we can’t go home. Wherever that is.

With all of that rattling around in my head cabinet, it’s no wonder that many of the songs I set aside this year deal with finding your way, figuring our your identity, feeling alone or trying to find “home.” Of course, not every song perfectly fits this mold, but I was amazed at the consistency with which my sub-conscience was weaving a narrative of my year through music.

Through it all, feeling lost and unsure, my faith in God has not wavered. I have questioned a lot about the church and the way we as Americans put it into practice. I have questioned what my role in that will be in the future and I have felt the sting of thinking people were my friends when I was simply their pastor. But faith has anchored my soul, providing surety in the storm.

So, without further ado, I invite you to take a carefully curated musical journey through my 2015.

Here is the tracklist:

  1. Pilgrim (You Can’t Go Home) by Dave Rawlings Machine
  2. Shake It Off by Ryan Adams
  3. Don’t Wanna Fight by Alabama Shakes
  4. C.R.E.B. by Built To Spill
  5. Pretty Pimpin by Kurt Vile
  6. Living My Life by Deerhunter
  7. Leave A Trace by Chvrches
  8. Disappear by Seryn
  9. Through The Seasons by Promised Land Sound
  10. The Life You Chose by Jason Isbell
  11. Traveller by Chris Stapleton
  12. River by Leon Bridges
  13. New Way of Living by David Ramirez
  14. Never Gonna Be Young Again by Doug Burr
  15. Falling From The Sky by Calexico
  16. Went Looking For Warren Zevon‘s Los Angeles by Lucero
  17. Shine A Different Way by Patty Griffin
  18. Always Be by Josh Garrels
  • Download my 2015 year-in-review mix from Zippyshare.
  • Stream my mix from Spotify right here:

 


The Great American Mixtape Exchange: 2015 Favorites (Mark Whiten Edition)

Eldons 2015 mix coverAnd now, the one we’ve all been waiting for . . . well, I’ve been waiting for . . . the one, the only, sometimes he goes by Eldon, sometimes not . . . Mark the “White N” Whiten!!

A man of Mark’s stature is far too busy to elaborate much on a mix. But here’s what I could get out of him:

“My collection of songs for a 2015 mix comes mainly from my attraction to the structure of a song…. And in some cases not the lyrics. Although the style or genre of music goes from noise rock to no wave to chamber folk to Brit rock the theme may be fluid structure. So, much like the historical Tacoma Narrows Bridge or an aneurysm, this mix in its sum and its parts has movable or deformable structure with an internal or surrounding fluid flow. Most of these songs are included in albums that themselves are picks for favorites of the year.”

Here’s the tracklist:

  • What Went Down by Foals
  • I Saw A Ghost by The Slow Readers Club
  • Eyes Peeled by METZ
  • A Heroine by Holy Holy
  • Snow by The Lonely Wild
  • Lawman by Girl Band
  • Suicide Girl by Clark and the Himselfs
  • Exeunt by The Oh Hellos
  • Alligator Years by Twinsmith
  • Acne/Ears by Roadside Graves
  • Miss You by Alabama Shakes
  • Breaker by Dalton
  • Baby What’s Wrong by Whitehorse
  • Sedona by Houndmouth
  • Odell by Lowland Hum
  • The Wind That Shakes The Barley by Black Rivers

Download Mark’s mix at Zippyshare.

The Great American Mixtape Exchange: 2015 Favorites (Chris Martin Edition)

2993_tape1 copyAnd now, it our friend Chris Martin’s turn!

Here’s what he has to say about his mix:

“Here are some of my favorite songs from 2015. There’s no real theme here, aside from the fact that I’ve danced to most of these songs with my one year old son over the past year.

I tried to at least put the songs in an order that isn’t too jarring. The exception is the two songs at the end: The Valley Maker track is by a friend of mine and it was just too good to leave off even though it’s totally different than everything else on the list. The other exception is the Vince Staples song. It has some serious profanity in it, so I put it at the end so people can skip it if they want.

Finally, there’s some great music videos on this list. I especially love the Thundercat and Courtney Barnett videos.

Enjoy!”

Chris chose to make a Youtube playlist of his picks. Here is the traklisting:

  • Kamikaze by MØ
  • Gold by Kiiara
  • Fela by nvdes
  • Standard by Empress Of
  • Blue & Green by Loyal
  • Them Changes by Thundercat
  • Hotline Bling by Donna Missal
  • Home by Islandis
  • Heroes by Callers
  • Desire by Dilly Dally
  • Dead Fox by Courtney Barnett
  • Book of Right On by Foxtails Brigade
  • Pretty Little Life Form by Valley Maker
  • Norf Norf by Vince Staples
Stream the mix right here:

Or find it on Youtube here.

The Great American Mixtape Exchange: 2015 Favorites (Danny Lopez Edition)

2993_tape1 copy

Hey I made a mix! And It’s really good!

 

 

 

Here’s a track listing:

1 – Kurt Vile – Pretty Pimpin
2 – Tame Impala – Yes I’m Changing
3 – Son Lux – You Don’t Know Me
4 – Von the Baptist – Graves
5 – Sufjan Stevens – Fourth of July
6 – Alabama Shakes – Gimme All Your Love
7 – Dustin Kensrue – Gallows
8 – Kendrick Lamar – How Much A Dollar Costs
9 – MUTEMATH – Stratosphere
10 – MewithoutYou – Red Cow
11 – My Morning Jacket – In Its Infancy (The Waterfall)
12 – Josh Garrels – A Long Way
13 – Foals – Lonely Hunter
14 – Andra Day – Rearview
15 – Noah Gundersen – Selfish Art

I didn’t follow any sort of theme, but I did try to pick songs that fit well together. For this reason, I left all of the metal and hip-hop albums that I was stoked on this year, but I assure you there were some good ones there too. The only hip hop song I left in there is one by Kendrick Lamar because his album this year was just too powerful and too significant to leave out of a 2015 mix. I put it right smack in the middle, which will either make it feel awkward or give you a good bookmark right in the middle. Either way, listen to the lyrics, they’re powerful and very relevant considering our current selfishness in trying to hoard everything while the rest of the world starves.

“Have you ever opened up Exodus 14? A humble man is all that we ever need. Tell me how much a dollar cost.”